Luigi: The Making and the Meaning by John H Richardson – Understanding a Criminal?
On December 5, 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a killer who then calmly departed the scene”. The murder in broad daylight was indeed both chilling and disturbing. But many Americans reacted differently: for those who had been denied health insurance or faced exorbitant healthcare costs, the news felt like a release. Online platforms erupted. One post read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company designed to maximize profits on your health.”
Less than a week after, Luigi Mangione, a good-looking, twenty-six-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He faces court proceedings on federal and state charges of murder, with prosecutors seeking the capital punishment. So what is his background? And what drove the alleged crime? These are the issues John H Richardson seeks to resolve in an inquiry that delves into wider topics, too.
The Making of a Subject
A writer for a major publication, Richardson spent years researching the groups that lurk in the dark corners of the internet, producing articles about people “cursed with realistic fears about an apocalyptic future”. To uncover “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their content ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Furthermore, Richardson sifts through his correspondence with online personalities and authors as well as his many posts on digital networks. These original materials, intended to depict a picture of Mangione, instead render him an unclear character. Richardson tries to justify this by suggesting that “Luigi’s elusiveness, in fact, is what gives him a little of that old deceiver’s charm”. Throughout the book, Richardson tries to frame his subject in archetypal terms.
Mangione is deeply anxious about the world around him, one where ‘everything is accelerating whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “depose”, etched on the ammunition left behind at the crime scene. These are the phrases occasionally employed by health insurance companies to reject claims. He examines the indication Mangione had a long-term spinal issue, which could have been a reason for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to ultimately either take control, or eliminate humanity, or both.
Missing Pieces
Conspicuous by their absence from the book are interviews with the key individuals. Richardson asked, of course, but never expected time with Mangione himself. And his relatives stated explicitly that they had decided against speaking to the media in prior to the trial. Another glaring gap is any significant information about the victim, Thompson, though we learn that under his guidance, from the early 2020s, UHC profits increased by 33%.
Ambiguous Findings
By book’s end, the reader has no clear understanding of Mangione’s personality or what could have driven his accused actions. Worse still, Richardson’s apparent empathy for him gives the reader the uncomfortable impression of having been exposed to a subtle approval of an targeted killing. In the book’s closing remarks, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the mad king, the beast in the labyrinth and the emperor without clothes.” In that fable “Robin Hoods come with a appealing vow … They arrive in times of social turmoil, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have charges that could lead to the death penalty dismissed, any mention of myths, folk heroes, champions or villains will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.